Crossings

Where they were

Released in 1972, 'Crossings' was Herbie Hancock's follow-up to the acclaimed 'Head Hunters,' marking a period of bold exploration in his career. At this time, Hancock was transitioning from mainstream success into more experimental realms, blending jazz with electronic elements and setting the stage for future innovations in jazz fusion.

Why it matters

'Crossings' is notable for its pioneering use of synthesizers in jazz, influencing a generation of musicians and contributing to the development of jazz fusion. The album was well-received critically, highlighting Hancock’s ability to merge complex compositions with accessible grooves, and solidified his reputation as a forward-thinking artist in the jazz scene.

Essential tracks

• "Sleeping Giant" — This nearly 25-minute track showcases Hancock's innovative approach to improvisation and composition, weaving intricate melodies through expansive electronic soundscapes.
• "Quasar" — With its rhythmic complexity and cosmic feel, 'Quasar' exemplifies Hancock's ability to fuse funk with avant-garde jazz elements, pushing genre boundaries.
• "Water Torture" — 'Water Torture' features experimental structures and haunting melodies that highlight Hancock's skill in creating atmospheric tension within his compositions.