In the Court of the Crimson King

Where they were

Released on October 10, 1969, 'In the Court of the Crimson King' was King Crimson's debut album, marking their entry into the progressive rock scene. The band had just formed earlier that year and was comprised of influential musicians like Robert Fripp and Greg Lake, resulting in an immediate impact on the genre.

Why it matters

This album is often regarded as one of the cornerstones of progressive rock, influencing countless artists and bands in the genre. It reached number 5 on the UK Albums Chart and has been included in many 'greatest albums' lists, showcasing its lasting cultural significance.

Essential tracks

• "21st Century Schizoid Man (including Mirrors)" — Opening with a chaotic blend of heavy guitar riffs and jazzy saxophone, this track encapsulates the album's revolutionary spirit and sets a high bar for progressive rock.
• "Epitaph (including March for No Reason and Tomorrow and Tomorrow)" — With its poignant lyrics about despair and loss, 'Epitaph' serves as a haunting centerpiece that resonates with listeners through its emotional depth.
• "The Court of the Crimson King (including The Return of the Fire Witch and The Dance of the Puppets)" — 'The Court of the Crimson King' closes the album with grandeur, combining rich orchestration and vivid imagery to create a theatrical experience that defines the band's artistic vision.