About this album
Where they were
By 2009, Edin Karamazov had established himself as a prominent figure in the realm of sung poetry, following his acclaimed album 'Kaliopi' in 2007. 'Oblivion' marked a continuation of his exploration into the fusion of classical music and poignant lyricism, showcasing his distinctive sound during a period of increasing recognition in international circles.
Why it matters
'Oblivion' is significant for its critical acclaim within the niche of world music, receiving attention for its artistic depth. The album's arrangement and emotional resonance contributed to Karamazov's reputation as an innovator in sung poetry, influencing other Balkan artists and expanding the genre's reach beyond traditional boundaries.
Essential tracks
- "Hallelujah" — This rendition stands out due to its unique arrangement, combining Karamazov's intricate guitar work with heartfelt vocals that re-interpret Leonard Cohen's classic through a personal lens.
- "Oblivion" — 'Oblivion' encapsulates the album's theme with its evocative melody and Karamazov's expressive delivery, illustrating a deep emotional landscape that resonates universally.
- "Koyunbaba" — A masterful display of technical skill, 'Koyunbaba' showcases Karamazov's prowess on the guitar while blending traditional motifs with contemporary sensibilities, enriching the listening experience.
Release Date
January 1, 2009
Artist Origin
Bosnia and Herzegovina
Tracklist
- 1 Melodia sentimental 3:52
- 2 A boy named Hiroshima 4:14
- 3 Oblivion 3:20
- 4 Wachet auf, ruft uns die stimme 2:41
- 5 Cinema Paradiso (Tema d’amore) 3:22
- 6 Hallelujah 5:07
- 7 Ja vstretil vas 4:53
- 8 Amarilli mia bella 2:40
- 9 Alfonsina y el mar 3:35
- 10 Koyunbaba 7:45
- 11 So maki sum se rodila 4:27
