About this album
Where they were
When 'Monumension' was released in 2001, Enslaved was transitioning from their earlier, more traditional black metal roots into a more experimental phase. This album marked a significant step following their acclaimed release 'Mardraum – Beyond the Within' (2000), showcasing the band’s willingness to explore complex arrangements and thematic depth.
Why it matters
'Monumension' is notable for its fusion of genres, contributing to the evolution of black metal towards progressive elements. The album received positive reviews from critics, reflecting a broader acceptance of experimentation within the genre during the early 2000s, and has influenced subsequent bands seeking to blend heavy music with intricate songwriting.
Essential tracks
- "Convoys to Nothingness" — The opening track sets an ambitious tone for the album with its sweeping melodies and chaotic intensity, encapsulating the band's duality.
- "The Voices" — This track exemplifies the seamless integration of clean vocals and harsh elements, highlighting the band's progressive direction while retaining their black metal roots.
- "Enemy I" — With its driving rhythm and atmospheric layers, 'Enemy I' showcases Enslaved's ability to create tension and resolve within a compact arrangement.
- "Sigmundskvadet" — 'Sigmundskvadet' features intricate guitar work and vivid lyrical imagery, drawing from Norse mythology to deepen the conceptual framework of the album.
Release Date
January 1, 2001
Artist Origin
Norway
Tracklist
- 1 Convoys to Nothingness 7:58
- 2 The Voices 6:07
- 3 Vision: Sphere of the Elements – A Monument, Part II 4:58
- 4 Hollow Inside 5:38
- 5 The Cromlech Gate 6:55
- 6 Enemy I 5:16
- 7 Smirr 4:26
- 8 The Sleep: Floating Diversity – A Monument, Part III 8:13
- 9 Outro: Self – Zero 3:08
- 10 Sigmundskvadet 6:56