Complete 'B' Sides cover

Complete 'B' Sides

Pixies

Album 2001

About this album

Sound: "A collage of raw energy and eclecticism that captures the Pixies' unfiltered creativity and experimental spirit."

Where they were

Released on May 3, 2001, 'Complete 'B' Sides' compiles unreleased tracks and B-sides from the Pixies’ earlier years, during a hiatus following their breakup in 1993. This collection offers fans insight into the band's creative process and evolution leading up to their reunion in 2004.

Why it matters

'Complete 'B' Sides' is significant for showcasing the Pixies' influence on alternative rock, with tracks like 'Wave of Mutilation (UK Surf)' contributing to the band's legacy. The album also reflects their artistic experimentation, receiving positive reviews from critics who appreciated its rawness and energy.

Essential tracks

  • "Wave of Mutilation (UK Surf)" — This variant of a classic song captures the essence of the band’s surf rock influences while maintaining their signature intensity.
  • "Manta Ray" — 'Manta Ray' highlights the band's innovative approach to structure and melody, showcasing their ability to create compelling, yet unconventional soundscapes.
  • "In Heaven (Lady in the Radiator Song) (live)" — This live rendition adds an emotional depth to the original, connecting the audience with the surreal themes of David Lynch's 'Eraserhead'.

Release Date

May 3, 2001

Artist Origin

United States

Tracklist

  1. 1 River Euphrates 3:23
  2. 2 Vamos (live) 3:28
  3. 3 In Heaven (Lady in the Radiator Song) (live) 1:46
  4. 4 Manta Ray 2:39
  5. 5 Weird at My School 1:59
  6. 6 Dancing the Manta Ray 2:13
  7. 7 Wave of Mutilation (UK Surf) 3:00
  8. 8 Into the White 4:42
  9. 9 Bailey’s Walk 2:23
  10. 10 Make Believe 1:54
  11. 11 I’ve Been Waiting for You 2:45
  12. 12 The Thing 1:58
  13. 13 Velvety Instrumental Version 2:04
  14. 14 Winterlong 3:07
  15. 15 Santo 2:16
  16. 16 Theme From Narc 1:48
  17. 17 Build High 1:42
  18. 18 Evil Hearted You 2:37
  19. 19 Letter to Memphis (instrumental) 2:42