About this album
Sound:
"Introspective melodies intertwine with raw, confessional lyrics, creating an intimate lo-fi atmosphere."
Where they were
Elliott Smith's self-titled album was his debut release in 1995 following his time in the band Heatmiser. This album marked his transition into a solo artist, showcasing his distinct songwriting style and lo-fi aesthetic at a pivotal point in his early career.
Why it matters
The album received critical acclaim upon its release, establishing Smith as a significant figure in the indie music scene. It laid the groundwork for his future success and influence on subsequent singer-songwriters, marking him as a voice of a generation grappling with themes of isolation and heartbreak.
Essential tracks
- "Needle in the Hay" — This track encapsulates Smith's haunting vocal delivery and poignant lyricism, becoming emblematic of his introspective style and emotional depth.
- "Christian Brothers" — With its narrative-driven lyrics and melodic structure, this song highlights Smith's ability to blend storytelling with intricate musical composition, resonating deeply with listeners.
- "Clementine" — A standout for its delicate instrumentation and bittersweet lyrics, 'Clementine' showcases Smith's knack for capturing fleeting moments of love and loss.
- "St. Ides Heaven" — 'St. Ides Heaven' reflects the complexities of life through vivid imagery and melancholic tones, exemplifying Smith's lyrical prowess and emotional honesty.
Release Date
July 21, 1995
Artist Origin
United States
Tracklist
- 1 Needle in the Hay 4:16
- 2 Christian Brothers 4:30
- 3 Clementine 2:46
- 4 Southern Belle 3:06
- 5 Single File 2:26
- 6 Coming Up Roses 3:10
- 7 Satellite 2:25
- 8 Alphabet Town 4:11
- 9 St. Ides Heaven 3:00
- 10 Good to Go 2:24
- 11 The White Lady Loves You More 2:24
- 12 The Biggest Lie 2:39
