About this album
Where they were
By 1957, Billy Eckstine was already an established jazz vocalist and bandleader, having gained fame in the 1940s. This album marked a significant collaboration with Sarah Vaughan, showcasing their vocal chemistry and positioning them both in the realm of popular jazz standards during a period when vocal jazz was evolving.
Why it matters
This album is notable for its celebration of Irving Berlin's work, bringing his classic songs to a new audience through the lens of jazz. It reflects the growing trend of crossover collaborations in jazz and popular music, further solidifying Eckstine and Vaughan's legacies as pivotal figures in American music history.
Essential tracks
- "Cheek to Cheek" — This track features a beautifully intertwined duet that highlights both artists' vocal strengths while capturing the romantic essence of Berlin's songwriting.
- "Isn’t This a Lovely Day" — Eckstine's smooth baritone perfectly complements Vaughan's rich soprano, creating an enchanting atmosphere that exemplifies the joy inherent in Berlin's lyrics.
- "Alexander’s Ragtime Band" — The dynamic arrangement allows both singers to showcase their improvisational skills, making it a definitive highlight that pays homage to Berlin's ragtime roots.
Release Date
January 1, 1957
Artist Origin
United States
Tracklist
- 1 Alexander’s Ragtime Band 4:02
- 2 Isn’t This a Lovely Day 3:53
- 3 I’ve Got My Love to Keep Me Warm 4:14
- 4 All of My Life 3:16
- 5 Cheek to Cheek 2:46
- 6 You’re Just in Love 3:43
- 7 Remember 2:20
- 8 Always 2:38
- 9 Easter Parade 3:16
- 10 The Girl That I Marry 3:00
- 11 Now It Can Be Told 3:43
