About this album
Sound:
"A heartfelt tapestry of Chilean folk blended with poignant lyrical introspection and social commentary."
Where they were
1966 marked a pivotal year for Violeta Parra as she released 'Las últimas composiciones de carlos', her final album before her untimely death in 1967. This album came after her significant contributions to the nueva canción movement, solidifying her role as a pioneer in merging folk music with political themes.
Why it matters
The album is notable for its profound cultural impact, especially in Chile, where Parra's songs became anthems of social change. 'Gracias a la vida' gained international recognition, influencing countless artists and later being covered by many worldwide, showcasing its enduring legacy.
Essential tracks
- "Gracias a la vida" — This iconic track serves as a powerful ode to life itself, encapsulating gratitude and reflection that resonates universally.
- "Volver a los diecisiete" — A poignant exploration of youth and nostalgia, this song highlights Parra's lyrical depth and emotional resonance.
- "Maldigo del alto cielo" — This track's passionate critique of societal injustices illustrates Parra's commitment to addressing political themes through music.
Release Date
November 1, 1966
Artist Origin
Chile
Tracklist
- 1 Gracias a la vida 4:39
- 2 El albertío 2:09
- 3 Cantores que reflexionan 2:27
- 4 Pupila de águila 3:16
- 5 Run, run se fue pa’l norte 4:02
- 6 Maldigo del alto cielo 4:03
- 7 La cueca de los poetas 1:44
- 8 Mazúrquica modérnica 2:25
- 9 Volver a los diecisiete 4:13
- 10 Rin del angelito 2:06
- 11 Una copla me ha cantado 3:52
- 12 El guillatún 2:29
- 13 Pastelero a tus pasteles 1:54
- 14 De cuerpo entero 1:37
