About this album
Where they were
When 'Rembrandt Pussyhorse' was released in 1986, the Butthole Surfers were still establishing their identity in the underground music scene. This album followed their self-titled debut and showcased an evolution in their sound, embracing more avant-garde elements while continuing to push the boundaries of punk and rock. It marked a significant step towards their later mainstream recognition.
Why it matters
This album is notable for its role in defining the noise rock genre, influencing a wave of alternative bands throughout the late 80s and early 90s. It received attention for its experimental approach and unconventional lyrics, contributing to the Butthole Surfers' reputation as pioneers in alternative music. The band gained critical acclaim, with publications noting their unique ability to merge humor with disturbing themes.
Essential tracks
- "Creep in the Cellar" — The opening track sets the tone with frantic energy and absurdist lyrics, encapsulating the band's signature blend of chaos and humor.
- "American Woman" — This cover combines unsettling sonic textures with provocative lyrics, reflecting the band's ability to challenge cultural norms while maintaining a punk ethos.
- "Whirling Hall of Knives" — With its swirling instrumentation and disorienting lyrics, this track exemplifies the band's experimental approach and willingness to explore darker themes.
Release Date
January 1, 1986
Artist Origin
United States
Tracklist
- 1 Creep in the Cellar 2:04
- 2 Sea Ferring 4:00
- 3 American Woman 5:33
- 4 Waiting for Jimmy to Kick 2:21
- 5 Strangers Die Everyday 3:08
- 6 Perry 3:32
- 7 Whirling Hall of Knives 4:44
- 8 Mark Says Alright 4:07
- 9 In the Cellar 3:18
