About this album
Where they were
By 2006, Natacha Atlas had established herself as a prominent figure in world music, following her critically acclaimed albums like 'Diaspora' and 'Ahlam'. 'Mish Maoul' marks her continued exploration of identity and sound, showcasing her ability to blend diverse genres while addressing themes of belonging and cultural heritage.
Why it matters
'Mish Maoul' received praise for its innovative integration of jazz with Arabic influences, leading to significant recognition within the world music scene. It contributed to Atlas's reputation as a pioneering artist who bridges cultures, solidifying her impact on both Western and Middle Eastern music landscapes.
Essential tracks
- "Oully Ya Sahbi" — This track opens the album with an infectious groove, blending traditional Arabic instrumentation with modern beats that sets the tone for the fusion experience.
- "Ghanwah Bossanova" — With its playful rhythms and melodic hooks, this track exemplifies Atlas's unique ability to merge bossanova with Middle Eastern motifs, creating a captivating sound.
- "Bathaddak" — This song stands out for its emotive vocal delivery and lyrical depth, reflecting personal themes of longing that resonate throughout the album.
- "Bab El Janna" — Featuring rich instrumentation and a strong melodic line, this track highlights Atlas's artistic range while drawing listeners into its lush soundscape.
Release Date
April 24, 2006
Artist Origin
Tunisia
Tracklist
- 1 Oully Ya Sahbi 5:33
- 2 Feen 5:46
- 3 Hayati Inta 3:57
- 4 Ghanwah Bossanova 6:29
- 5 Bathaddak 5:10
- 6 Bab El Janna 5:43
- 7 Wahashni 4:34
- 8 Haram Aleyk 5:06
- 9 La Lil Khowf 5:30
- 10 Yariet 3:35
