Ptah, the El Daoud

Where they were

Upon the release of 'Ptah, the El Daoud' in 1970, Joe Henderson was emerging from his tenure with the legendary Blue Note label. This album followed his acclaimed work on 'Inner Urge' and marked a significant evolution in his sound as he incorporated more avant-garde elements and spiritual influences into his compositions.

Why it matters

'Ptah, the El Daoud' is notable for its critical acclaim, often cited as one of the key albums in the spiritual jazz genre. It showcased Henderson's innovative approach to improvisation and composition, influencing future generations of musicians within both jazz and world music scenes.

Essential tracks

• "Ptah, the El Daoud" — The title track serves as a sprawling centerpiece that encapsulates the album's spiritual essence through its extended improvisational passages and deep emotional resonance.
• "Turiya and Ramakrishna" — This piece exemplifies Henderson's ability to weave complex melodies with a serene atmosphere, reflecting the influence of Eastern philosophy on his music.
• "Mantra" — 'Mantra' stands out with its hypnotic rhythm and meditative quality, showcasing Henderson's mastery of blending various musical traditions into a cohesive whole.