About this album
Where they were
By the time 'The Spider's Lullabye' was released in 1995, King Diamond had already established himself as a prominent figure in heavy metal, following his successful albums 'Abigail' and 'Them'. This album marked a return to concept-driven storytelling, showcasing Diamond's signature operatic vocals and elaborate narratives after a brief hiatus in the early '90s.
Why it matters
The album is notable for its critical reception, often praised for its ambitious songwriting and production quality. It solidified King Diamond's influence within the heavy metal genre, particularly in the realm of theatricality and horror-themed concepts, making it a staple for fans of progressive metal.
Essential tracks
- "From the Other Side" — This opening track sets the tone for the album with its eerie atmosphere and powerful vocal delivery, introducing listeners to the thematic elements that will unfold throughout.
- "Killer" — A standout track that showcases the album's blend of melody and aggression, featuring intricate guitar work and compelling storytelling about obsession and revenge.
- "The Spider’s Lullabye" — The titular track encapsulates the album's haunting essence, combining soft verses with explosive choruses that reflect the duality of fear and comfort.
- "Room 17" — At over eight minutes long, this epic composition allows for extensive narrative development and musical exploration, highlighting King Diamond's theatrical prowess.
Release Date
January 1, 1995
Artist Origin
Denmark
Tracklist
- 1 From the Other Side 3:50
- 2 Killer 4:18
- 3 The Poltergeist 4:30
- 4 Dreams 4:39
- 5 Moonlight 4:32
- 6 Six Feet Under 4:02
- 7 The Spider’s Lullabye 3:40
- 8 Eastmann’s Cure 4:32
- 9 Room 17 8:18
- 10 To the Morgue 4:57
