About this album
Where they were
Released in 1989, 'Rei Momo' marked David Byrne's first solo album after his iconic tenure with Talking Heads. At this point in his career, Byrne was exploring a variety of cultural influences, reflecting a shift towards world music elements that began to define his solo work. This album followed the critically acclaimed soundtrack for 'The Last Emperor' and highlighted Byrne's artistic expansion beyond the confines of new wave rock.
Why it matters
'Rei Momo' garnered significant attention for its innovative blend of Latin rhythms and alternative rock, reaching No. 18 on the Billboard 200 chart. The album was praised by critics for its adventurous sound and lyrical depth, solidifying Byrne's reputation as a pioneering artist outside of his work with Talking Heads. It has since influenced a range of artists seeking to blend diverse musical styles.
Essential tracks
- "Independence Day" — This opening track sets the tone for the album with its reflective lyrics and infectious rhythm, encapsulating Byrne's unique storytelling approach.
- "Make Believe Mambo" — Blending playful melodies with danceable beats, this track showcases Byrne's ability to infuse joy and energy into complex arrangements.
- "Loco De Amor" — This song combines heartfelt emotion with Latin-inspired instrumentation, illustrating Byrne's exploration of love through a cross-cultural lens.
- "Women vs. Men" — With its thought-provoking lyrics and contrasting musical sections, this track highlights Byrne’s keen social commentary wrapped in engaging rhythms.
Release Date
October 3, 1989
Artist Origin
United States
Tracklist
- 1 Independence Day 5:45
- 2 Make Believe Mambo 5:23
- 3 The Call of the Wild 4:53
- 4 Dirty Old Town 4:13
- 5 The Rose Tattoo 3:51
- 6 Loco De Amor 3:46
- 7 The Dream Police 3:00
- 8 Don't Want to Be Part of Your World 4:58
- 9 Marching Through the Wilderness 4:30
- 10 Good and Evil 4:35
- 11 Lie to Me 3:37
- 12 Office Cowboy 3:41
- 13 Women vs. Men 4:06
- 14 Carnival Eyes 4:04
- 15 I Know Sometimes a Man Is Wrong 3:11
