About this album
Where they were
By the time 'Misery Loves Kompany' was released in 2007, Tech N9ne had solidified his position in the underground hip-hop scene with several successful albums, yet this album marked a significant moment as it showcased his growing influence. Following his 2006 release 'Everready (The Religion)', this work further pushed his creative boundaries, incorporating a mix of styles and collaborations that highlighted his versatility.
Why it matters
'Misery Loves Kompany' debuted at number 24 on the Billboard 200, cementing Tech N9ne's status as an indie powerhouse. It received critical acclaim for its lyrical depth and innovative production, influencing a wave of artists within the Midwest hip-hop scene while bolstering Tech's reputation for blending genres.
Essential tracks
- "Midwest Choppers" — This track features rapid-fire verses from multiple artists, showcasing Tech N9ne's chopper style and setting a benchmark for lyrical dexterity in hip-hop.
- "Misery" — The title track delves into themes of emotional struggle and resilience, capturing the album's overarching narrative of overcoming adversity through powerful storytelling.
- "Get Ya Head Right" — This track blends catchy hooks with introspective verses, exemplifying Tech N9ne's ability to balance mainstream appeal with authentic lyricism.
- "Message to the Black Man" — In this thought-provoking piece, Tech N9ne addresses social issues and personal identity, demonstrating his commitment to using music as a platform for important conversations.
Release Date
July 17, 2007
Artist Origin
United States
Tracklist
- 1 Kansas City Shuffle (intro) 1:41
- 2 Midwest Choppers 6:31
- 3 Misery 4:41
- 4 That Box 5:49
- 5 Gangsta Shap 4:25
- 6 Sex Out South 5:30
- 7 Get Ya Head Right 4:55
- 8 Fan or Foe 4:29
- 9 Girl Crazy “Crazy Love” 5:27
- 10 2 Piece 5:04
- 11 Big Scoob 4:04
- 12 Yeah Ya Can 4:20
- 13 I Can Feel It 4:38
- 14 Karma (skit) 0:43
- 15 You Don’t Want It 3:37
- 16 Message to the Black Man 4:58
- 17 The P.A.S.E.O. (The Poem Aaron Saw Extra Ordinary) 5:46
