Pieces in a Modern Style cover

Pieces in a Modern Style

William Orbit

Album 2000

About this album

Sound: "A serene blend of classical compositions reimagined through ambient electronic textures that evoke deep introspection."

Where they were

Released in 2000, 'Pieces in a Modern Style' followed William Orbit's commercial success with 'Pieces in a Modern Style' (1995) and marked his transition into more experimental territory. At this point, Orbit was exploring the integration of classical music with electronic influences, solidifying his reputation as a pioneer in blending genres.

Why it matters

This album is significant for its innovative approach to classical music, showcasing how electronic elements can enrich traditional compositions. It received critical acclaim for its unique sound, helping to bridge gaps between classical and contemporary genres, influencing artists within the ambient and electronic music scenes.

Essential tracks

  • "Adagio for Strings" — 'Adagio for Strings' serves as a centerpiece of the album, transforming Samuel Barber's composition into an ethereal experience that highlights Orbit's mastery of blending orchestral depth with electronic soundscapes.
  • "Pavane pour une infante défunte" — Orbit's interpretation of 'Pavane pour une infante défunte' captures the haunting beauty of Ravel’s original while layering it with delicate electronic textures that enhance its emotional resonance.
  • "Cavalleria rusticana" — This track reinterprets Mascagni's opera overture, creating a lush auditory landscape that exemplifies Orbit's ability to merge classical intensity with soothing ambient elements.

Release Date

January 1, 2000

Artist Origin

United Kingdom

Tracklist

  1. 1 Adagio for Strings 9:34
  2. 2 In a Landscape 2:57
  3. 3 Ogive Number 1 6:44
  4. 4 Cavalleria rusticana 3:19
  5. 5 Pavane pour une infante défunte 6:11
  6. 6 L’inverno 3:57
  7. 7 Triple Concerto 5:32
  8. 8 Xerxes 4:42
  9. 9 Piece in the Old Style 1 5:06
  10. 10 Piece in the Old Style 3 5:49
  11. 11 Opus 132 6:14