About this album
Where they were
By 1977, Gil Scott-Heron was transitioning from his early acclaim as a spoken word artist to a more complex musical identity. 'Bridges' marks his fifth studio album and showcases his collaboration with Brian Jackson, solidifying their partnership as a significant force in the genre. This release followed the success of his influential album 'Pieces of a Man' and represents an evolution in his sound and lyricism.
Why it matters
'Bridges' is notable for its deep exploration of social issues, particularly in tracks like 'We Almost Lost Detroit,' which reflects on urban decay and industry. The album received critical acclaim for its innovative blend of jazz and funk, contributing to the rise of socially conscious music during the late '70s. It remains influential for subsequent artists addressing similar themes.
Essential tracks
- "We Almost Lost Detroit" — This track stands out for its poignant commentary on the industrial crisis facing American cities, delivered through a compelling mix of urgency and melody.
- "Delta Man (Where I'm Comin' From)" — 'Delta Man' encapsulates Scott-Heron's deep connection to his roots, blending personal narrative with broader cultural themes in a captivating sonic landscape.
- "Racetrack in France" — 'Racetrack in France' features an engaging rhythm and poetic lyrics that illustrate Scott-Heron's ability to weave storytelling with musicality, making it emblematic of the album's spirit.
Release Date
January 1, 1977
Artist Origin
United States
Tracklist
- 1 Hello Sunday! Hello Road! 3:37
- 2 Song of the Wind 3:59
- 3 Racetrack in France 4:16
- 4 Vildgolia (Deaf, Dumb and Blind) 7:43
- 5 Under the Hammer 4:03
- 6 We Almost Lost Detroit 5:19
- 7 Tuskeegee #626 0:34
- 8 Delta Man (Where I'm Comin' From) 5:48
- 9 95 South (All of the Places We've Been) 4:21
