About this album
Where they were
By the time 'Mechanical Animals' was released in January 1998, Marilyn Manson had cemented his status as a controversial figure in rock music, following the commercial success of 'Antichrist Superstar' in 1996. This album marked a shift towards a more polished sound and conceptually rich narrative, exploring Manson's alter ego, Omega, within a dystopian framework.
Why it matters
'Mechanical Animals' debuted at number one on the Billboard 200 and solidified Manson's influence on the late '90s shock rock movement. The album received critical acclaim for its bold thematic elements and production quality, earning nominations for multiple awards and continuing to shape discussions around celebrity culture and identity.
Essential tracks
- "The Dope Show" — This track encapsulates the album's critique of fame and addiction with an infectious chorus and catchy hooks. Its commentary on media sensationalism resonates deeply within the context of Manson's public persona.
- "I Don’t Like the Drugs (but the Drugs Like Me)" — A stark reflection on substance abuse, this song contrasts Manson's lyrical vulnerability with an upbeat tempo, representing the duality of glamor and despair prevalent throughout the album.
- "Coma White" — 'Coma White' serves as a haunting conclusion to the album, blending melancholic melodies with poignant lyrics about loss and disillusionment, showcasing Manson's artistic depth.
Release Date
January 1, 1998
Artist Origin
United States
Tracklist
- 1 Great Big White World 5:01
- 2 The Dope Show 3:47
- 3 Mechanical Animals 4:33
- 4 Rock Is Dead 3:10
- 5 Disassociative 4:51
- 6 The Speed of Pain 5:30
- 7 Posthuman 4:18
- 8 I Want to Disappear 2:57
- 9 I Don’t Like the Drugs (but the Drugs Like Me) 5:03
- 10 New Model No. 15 3:41
- 11 User Friendly 4:17
- 12 Fundamentally Loathsome 4:50
- 13 The Last Day on Earth 5:01
- 14 Coma White 5:40
