Stuntman

Where they were

By the time 'Stuntman' was released in January 1979, Edgar Froese was already established as a pioneering figure in electronic music, having founded the influential band Tangerine Dream. This album followed his solo debut 'Aqua' and further solidified his artistic identity outside the band, showcasing his ability to create expansive sonic landscapes that pushed the boundaries of electronic music.

Why it matters

'Stuntman' is notable for its experimental approach to sound design, significantly influencing the emerging electronic music scene. It received critical acclaim, reinforcing Froese's status as a key innovator during a period when synthesizers were gaining mainstream popularity, thus contributing to the evolution of ambient and new age genres.

Essential tracks

• "Stuntman" — The title track sets the stage with its dynamic structure and innovative use of synthesizers, encapsulating the album's overall theme of exploration.
• "It Would Be Like Samoa" — This track showcases Froese's ability to blend rhythmic complexity with melodic depth, creating an immersive listening experience that stands out on the album.
• "Drunken Mozart in the Desert" — Combining classical influences with avant-garde electronic elements, this piece exemplifies Froese's unique style and compositional ingenuity.