Bass on Top

Where they were

Released in 1957, 'Bass on Top' was Paul Chambers' first album as a bandleader after establishing himself as a sought-after bassist with Miles Davis. At this point in his career, Chambers was gaining recognition for his innovative approach to the double bass in the bebop genre, marking a significant step forward in his artistic journey.

Why it matters

This album is notable for its critical acclaim, contributing to the evolution of jazz bass playing in the late 1950s. It features compositions that have become standards in the jazz repertoire, influencing many musicians and earning recognition within the jazz community for its cohesive sound and improvisational prowess.

Essential tracks

• "Yesterdays" — 'Yesterdays' showcases Chambers' lyrical style on the bass, beautifully blending melody with harmony that highlights his virtuosic ability.
• "You'd Be So Nice to Come Home To" — This track exemplifies Chambers' skillful use of rhythm and space, creating an inviting atmosphere that complements the intricate melodies.
• "Chasin' the Bird" — With its upbeat tempo and playful interaction between instruments, this track illustrates Chambers' dynamic range and improvisational creativity.