About this album

Sound: "A haunting blend of ambient soundscapes and intricate textures that evoke the serenity of nature and the complexities of technology."

Where they were

By 2011, Biosphere, the project of Norwegian artist Geir Jenssen, had established himself as a key figure in ambient music. 'N-Plants' arrived as his follow-up to the critically acclaimed 'Dropsonde' (2006), showcasing his continued exploration of environmental themes through electronic sound.

Why it matters

This album is notable for its deep conceptual narrative, reflecting on nuclear power plants while maintaining an immersive soundscape that resonates with listeners. It received positive critical reception, being highlighted for its atmospheric depth in publications like 'The Quietus', further solidifying Biosphere's influence within the ambient genre.

Essential tracks

  • "Sendai-1" — Opening the album, 'Sendai-1' sets a serene yet eerie tone with rich layers that encapsulate the overarching themes of technology and nature.
  • "Jōyō" — 'Jōyō' features delicate melodies interwoven with subtle field recordings that evoke a sense of place, emphasizing Biosphere's mastery in creating atmospheric soundscapes.
  • "Fujiko" — 'Fujiko' stands out with its more rhythmic and structured approach, showcasing a different facet of Biosphere’s style while maintaining the album's thematic coherence.

Release Date

June 27, 2011

Artist Origin

Norway

Tracklist

  1. 1 Sendai-1 8:01
  2. 2 Shika-1 7:54
  3. 3 Jōyō 5:31
  4. 4 Ikata-1 5:05
  5. 5 Monju-1 2:42
  6. 6 Genkai-1 6:37
  7. 7 Ōi-1 5:10
  8. 8 Monju-2 3:58
  9. 9 Fujiko 4:56