About this album
Where they were
By the time Howard Jones released 'Working in the Backroom' in 1994, he was transitioning from his peak commercial success in the 1980s. This album followed his last major release, 'In the Running' (1992), and represents a moment of artistic exploration as he sought to redefine his sound beyond mainstream pop appeal.
Why it matters
'Working in the Backroom' is significant for its fusion of electronic elements with introspective songwriting, showcasing Jones' evolution as an artist. The album's unique blend of genres helped cement Jones' place in the synth-pop scene, influencing emerging artists in the mid-90s who were experimenting with similar sounds.
Essential tracks
- "You Are Beautiful to Me" — This track exemplifies Jones' lyrical depth and melodic craftsmanship, offering a poignant reflection on beauty and appreciation. Its lush arrangement highlights his ability to merge emotional resonance with catchy hooks.
- "Cookin' in the Kitchen" — With its upbeat tempo and playful lyrics, this song captures the album's lighter side while still maintaining a thoughtful undertone. It showcases Jones' knack for blending everyday themes with vibrant melodies.
- "Don't Get Me Wrong" — This track stands out for its intricate production and heartfelt delivery, emphasizing Jones' continued relevance in an evolving musical landscape. Its layered instrumentation reflects both personal and universal themes.
Release Date
January 1, 1994
Artist Origin
United Kingdom
Tracklist
- 1 Cathedral of Chutai (excerpt) 1:19
- 2 Cookin' in the Kitchen 4:58
- 3 Over & Above 4:48
- 4 You Are Beautiful to Me 4:52
- 5 Left No Evidence 4:09
- 6 You Can Say It's All Over 5:27
- 7 Don't Get Me Wrong 7:10
- 8 Blue 4:23
- 9 Egypt Love Trance 5:20
- 10 Let the Spirit Carry Me 4:17
- 11 Cathedral of Chutai 4:05
