About this album

Sound: "Eerie acoustic soundscapes intertwine with haunting vocals, creating an atmosphere of introspection and unease."

Where they were

Released in 1984, 'Burial' marked Death in June's debut album following the band's formation in 1981. At this point, frontman Douglas P. was establishing his distinctive style that blended folk and post-punk influences, setting the stage for his controversial and influential career.

Why it matters

The album is significant for its role in the neofolk genre's emergence, influencing numerous artists and scenes while also sparking debates around its provocative themes. Its underground success helped solidify Death in June's reputation as pioneers of dark folk music, with tracks like 'Death of the West' often cited for their lyrical depth and thematic content.

Essential tracks

  • "Death of the West" — This track encapsulates the album's haunting aesthetic and serves as a powerful commentary on cultural decline, showcasing Douglas P.'s poetic lyricism.
  • "Fields" — With its melancholic melody and evocative imagery, 'Fields' exemplifies the fusion of folk and gothic elements that define the album's sound.
  • "Black Radio" — 'Black Radio' features an experimental approach that combines spoken word with atmospheric instrumentation, illustrating the band's avant-garde tendencies.
  • "All Alone in Her Nirvana" — This track stands out for its intimate exploration of solitude and loss, marked by stirring vocals and minimalistic arrangements.

Release Date

January 1, 1984

Artist Origin

United Kingdom

Tracklist

  1. 1 Death of the West 2:11
  2. 2 Fields 2:45
  3. 3 All Alone in Her Nirvana 2:46
  4. 4 Sons of Europe 2:48
  5. 5 Black Radio 6:55
  6. 6 Till the Living Flesh is Burned (live) 7:21
  7. 7 All Alone in Her Nirvana (live) 3:51
  8. 8 Fields (live) 3:33
  9. 9 We Drive East (live) 3:40
  10. 10 Heaven Street (live) 6:42