About this album

Sound: "A cacophony of heavy riffs, experimental textures, and haunting melodies that challenge conventional song structures."

Where they were

When 'Pink' was released in 2005, Boris was already established as a pioneering force in the underground music scene, following their acclaimed albums 'Amplifier Worship' and 'Heavy Rocks.' This album marked a significant moment in their career as it showcased their ability to blend diverse genres while expanding their artistic vision into more experimental territories.

Why it matters

'Pink' is notable for its critical acclaim, receiving praise from outlets like Pitchfork and The Wire, solidifying Boris's reputation within the noise rock scene. The album's eclectic sound has influenced numerous artists across various genres and contributed to the growing recognition of Japanese experimental music on the global stage.

Essential tracks

  • "Pink" — The title track encapsulates the album's essence with its hypnotic rhythm and layered instrumentation, making it a standout piece that balances heaviness with melodic intricacy.
  • "Just Abandoned My‐Self" — This nearly 20-minute closing track exemplifies Boris's immersive soundscapes, blending drone and atmospheric elements to create an emotional journey that lingers long after listening.
  • "Woman on the Screen" — This short yet impactful track showcases Boris's unique approach to songwriting, merging punk energy with avant-garde sensibilities for an exhilarating experience.

Release Date

January 1, 2005

Artist Origin

Japan

Tracklist

  1. 1 Farewell 7:33
  2. 2 Pink 4:20
  3. 3 Woman on the Screen 2:38
  4. 4 Nothing Special 2:17
  5. 5 Blackout 4:49
  6. 6 Electric 1:45
  7. 7 Pseudo-Bread 4:29
  8. 8 Afterburner 4:22
  9. 9 Six, Three Times 2:53
  10. 10 My Machine 2:01
  11. 11 Just Abandoned My‐Self 18:14