About this album
Where they were
By 1972, Joan Baez was transitioning from a leading voice of the 1960s folk revival to exploring contemporary themes, marking her return with 'Come from the Shadows' after a brief hiatus. This album followed her previous release, 'Give Me Poetry,' and showcased her evolving artistic direction through a mix of original songs and covers.
Why it matters
This album is notable for its critical reception and thematic focus on social justice, reflecting Baez's commitment to activism during a politically charged era. It featured the poignant track 'Imagine,' which resonated deeply with listeners and contributed to the album's lasting legacy within the folk genre.
Essential tracks
- "Prison Trilogy (Billy Rose)" — 'Prison Trilogy' stands out as a powerful commentary on incarceration and injustice, showcasing Baez's ability to weave personal narrative with broader social issues.
- "In the Quiet Morning (for Janis Joplin)" — This tribute to Janis Joplin captures deep sorrow and reflection, illustrating Baez's emotional range and connection to her contemporaries.
- "Imagine" — Baez's rendition of John Lennon's 'Imagine' infuses the song with her unique vocal interpretation, making it a timeless anthem for peace.
- "Song of Bangladesh" — 'Song of Bangladesh' highlights Baez's global perspective on humanitarian issues, emphasizing her role as an artist engaged with international struggles.
Release Date
May 1, 1972
Artist Origin
United States
Tracklist
- 1 Prison Trilogy (Billy Rose) 4:24
- 2 Rainbow Road 3:03
- 3 Love Song to a Stranger 3:52
- 4 Myths 3:19
- 5 In the Quiet Morning (for Janis Joplin) 2:56
- 6 Weary Mothers (People Union 1) 3:30
- 7 To Bobby 4:01
- 8 Song of Bangladesh 4:50
- 9 A Stranger in My Place 3:06
- 10 Tumbleweed 3:31
- 11 The Partisan 3:15
- 12 Imagine 3:25
