About this album
Where they were
By 2003, Joan Baez was in a reflective phase of her career, having spent decades as a prominent folk artist. 'Dark Chords on a Big Guitar' marked her first studio album in over a decade, showcasing her return to original songwriting while also honoring traditional folk themes. This release came after her previous album, 'Speaking of Dreams' in 1989, amidst shifting musical landscapes.
Why it matters
This album is notable for its critical reception, earning praise for its lyrical depth and Baez's vocal performance. It included tracks like 'Christmas in Washington,' which resonated with contemporary political sentiments, reinforcing Baez's role as a voice for social justice and activism within the folk genre.
Essential tracks
- "Motherland" — 'Motherland' showcases Baez's poignant vocal delivery alongside haunting instrumentation, addressing themes of belonging and identity that resonate deeply throughout the album.
- "Christmas in Washington" — This track stands out for its biting political commentary, capturing the essence of Baez's activism while blending traditional folk sensibilities with contemporary relevance.
- "Elvis Presley Blues" — 'Elvis Presley Blues' provides a unique take on the legacy of the iconic musician, combining personal reflections with broader cultural critiques in Baez's signature style.
Release Date
September 9, 2003
Artist Origin
United States
Tracklist
- 1 Sleeper 4:35
- 2 In My Time of Need 4:33
- 3 Rosemary Moore 5:15
- 4 Caleb Meyer 2:31
- 5 Motherland 4:44
- 6 Wings 4:01
- 7 Rexroth's Daughter 5:19
- 8 Elvis Presley Blues 4:40
- 9 King's Highway 3:28
- 10 Christmas in Washington 5:13
