About this album
Where they were
In 1969, Moondog was emerging from a period of increased recognition, having gained attention for his unique street performances in New York City. This self-titled album marked his first release on a major label, following years of creating innovative music as a largely underground figure. The album showcased his distinctive style characterized by a fusion of classical elements and jazz improvisation.
Why it matters
Moondog's self-titled album is significant for its influence on the avant-garde music scene, particularly in how it blurred the lines between genres. It received positive critical reception and has been noted for inspiring subsequent musicians in minimalism and outsider music. The album's unconventional structures and rhythms contributed to its status as an important work in experimental music history.
Essential tracks
- "Symphonique #3 (Ode to Venus)" — This track exemplifies Moondog's ability to weave intricate melodies with rhythmic experimentation, showcasing his symphonic approach to jazz.
- "Lament I, "Bird's Lament"" — The poignant simplicity of this piece captures deep emotion through minimalistic composition, highlighting Moondog's lyrical sensibilities.
- "Witch of Endor" — The lengthy duration and ethereal quality of this track allows listeners to immerse themselves in Moondog's unique sound world, reflecting his visionary artistry.
- "Theme" — As an opening track, it sets the tone for the album with its catchy yet unconventional melodies, encapsulating Moondog's playful spirit.
Release Date
October 1, 1969
Artist Origin
United States
Tracklist
- 1 Theme 2:34
- 2 Stamping Ground 2:36
- 3 Symphonique #3 (Ode to Venus) 5:48
- 4 Symphonique #6 (Good for Goodie) 2:44
- 5 Cuplet 0:08
- 6 Minisym #1 5:42
- 7 Lament I, "Bird's Lament" 1:41
- 8 Witch of Endor 6:27
- 9 Symphonique #1 (Portrait of a Monarch) 2:34
