About this album
Where they were
By the time 'Con todo respeto' was released in 2004, Molotov was already an established force in the Latin rock scene, following their successful albums '¿Dónde Jugarán las Niñas?' (1999) and 'Apocalypshit' (2003). This album marked a return to their roots, blending genres while addressing social and political issues after a brief hiatus. The band sought to reaffirm their unique sound amidst an evolving musical landscape.
Why it matters
'Con todo respeto' was notable for its unapologetic critique of societal issues, resonating deeply within the Latin American community. The album received critical acclaim, appearing on various year-end lists and showcasing Molotov's ability to fuse genres while maintaining their punk ethos. Its tracks sparked conversations about politics and culture, further solidifying the band's influence in both music and social commentary.
Essential tracks
- "The Revolution Will Not Be Televised (La revo)" — This track stands out as a rallying cry against political apathy, blending sharp lyrics with an infectious rhythm that captures the essence of Molotov's activism.
- "Mi agüita amarilla" — Renowned for its catchy melody and playful yet provocative lyrics, this song serves as a prime example of Molotov's signature style that blends humor with serious undertones.
- "Chavas" — 'Chavas' critiques gender roles and expectations in a strikingly direct manner, showcasing the band's willingness to tackle complex social issues through their music.
Release Date
October 26, 2004
Artist Origin
Mexico
Tracklist
- 1 Amateur 4:21
- 2 Diseño rolas 3:05
- 3 Marciano 4:10
- 4 The Revolution Will Not Be Televised (La revo) 3:56
- 5 La boa a go‐go 3:44
- 6 Chavas 2:43
- 7 Mamar 3:59
- 8 Quén pon‐ponk 1:33
- 9 Da Da Da 3:33
- 10 Perro negro granjero 3:23
- 11 Agüela 3:48
- 12 Mi agüita amarilla 6:30
