About this album
Where they were
When 'Clameurs' was released in 2007, Jacques Coursil was an established figure in the French jazz scene, known for blending traditional African rhythms with modern jazz forms. This album followed his previous work, showcasing his continued exploration of identity and culture through music, particularly influenced by figures like Edouard Glissant.
Why it matters
This album is significant for its artistic ambition, intertwining music with sociopolitical themes rooted in post-colonial discourse. It received critical acclaim for its innovative approach to jazz and cultural representation, influencing a wave of artists interested in similar narratives within the genre.
Essential tracks
- "Monchaochi, Wélélé Nou (Nos Clameurs)" — This track exemplifies the album's core theme of cultural expression and collective memory, featuring intricate rhythms that invite listener participation.
- "Frantz Fanon 1952" — Dedicated to the influential thinker Frantz Fanon, this piece captures the tension between identity and colonial legacy through potent improvisational dialogues.
- "Edouard Glissant, l'Archipel des Grands Chaos 'La Traite'" — This track reflects on the historical trauma of slavery and diaspora, illustrating how music can serve as a medium for remembrance and healing.
Release Date
January 1, 2007
Artist Origin
France
Tracklist
- 1 Prologue - Paroles Nues 4:03
- 2 Monchaochi, Wélélé Nou (Nos Clameurs) 11:46
- 3 Frantz Fanon 1952 7:02
- 4 La Chanson d'Antar 5:59
- 5 Edouard Glissant, l'Archipel des Grands Chaos 'La Traite' 5:35
- 6 Edouard Glissant, l'Archipel des Grands Chaos 'Les Îles' 8:11
- 7 Epilogue - Cadence de Chaines 7:05
