On the Future of Aviation

Where they were

Released in 1985, 'On the Future of Aviation' marked Jerry Goodman's return to the jazz fusion scene after a notable hiatus following his work with the Mahavishnu Orchestra. This album showcased Goodman's unique violin style and compositional depth during a time when jazz fusion was evolving into more varied sub-genres, positioning him as a key figure in this experimental realm.

Why it matters

The album's title track gained recognition for its innovative blend of genres, reflecting the shifting landscape of jazz fusion in the mid-1980s. While not a commercial blockbuster, it solidified Goodman’s reputation among enthusiasts and contributed to the ongoing dialogue about jazz's evolution during that era.

Essential tracks

• "On the Future of Aviation" — This opening track encapsulates the album's thematic exploration of innovation with intricate violin arrangements that set the stage for Goodman's artistic vision.
• "Endless November" — Its expansive length allows for a deep exploration of melodic variations, showcasing both technical prowess and emotional depth characteristic of Goodman's approach.
• "Orangutango" — This track stands out with its playful rhythms and engaging motifs, illustrating Goodman's ability to blend whimsy with complex musical ideas.